Sunday, February 24, 2019
The idea is that two women run an agency that helps people break up from their partners when they don't have the guts to do it themselves - sort of a bit like the agency in the stupid French romcom Heartbreaker.
But this is funnier than that was. It's quite on racism/antiracism and bi/sexuality, and there are some really quite good jokes here and there.
Watched on Netflix, because it's a Netflix original. Which is funny, because though NZ seems to be turning out quite a few decent quirky comedies lately, this is surely of most interest to kiwis, which is a sort of limited market.
Monday, February 18, 2019
In fact she would have liked it. It's science fiction, but it's slow but interesting and thoughtful, with a claustrophobic feel despite the beautiful landscapes and modernist interiors. Lots of plot twists and revelations, and interesting emotional and intellectual elements.
Watched via USB stick and informal distribution on new clever TV.
Sunday, February 17, 2019
Good though - moody and thoughtful, with lots of understated descriptions of the post-war Communist regime.
Reading it I became aware, once again, how distinct and different Hungary seems; I'm pretty good on European history and yet most of the history in it is completely unfamiliar. I didn't even know about the siege of Budapest or the fighting in the city. I was also confused about the description of Romanian soldiers in the siege - I hadn't realised that Romania had swapped sides during 1944.
Sort of long and slow, set in 1930s Texas with little context about what was going on in the US or the wider world at that time. The young Renee Zellwegger is good, but the film is a bit dull.
Watched on Amazon Prime.
Monday, February 11, 2019
The last 50 pages completely confound that, though. There is a very sad and bleak ending, with everything that has been restored to Merivel, and everything that gives him happiness, being taken away. Not the worse for that, but an abrupt change of tone.
Lots going on in the film - fathers and sons, diaspora Palestinians vs those who stayed put, traditional obligations and how they appear to those who've left. It's not an explicitly political film, but there are lots of signs of the petty humiliations and constraints to which Palestinians in Israel are subject, despite their apparent 'full citizenship'.
Slow and claustrophobic, but very well made - interesting that the two main actors actually are father and son.
Watched at Stroud Film Club.
The film worked dramatically (it spins out the decision-making about one killing for more than 90 minutes without dragging) but I was not convinced. The moral dilemma presented (is it OK to allow one sweet little girl to die in order to save many more lives?) was not a very hard one, and the fabulous technology shown in the film (some of which doesn't actually exist, though it is presented as contemporary) means that the decision-makers have all the information that they need - arguably too much information to make their choices easy.
Also didn't like the way that the military figures are presented as both clear-headed and caring but the politicians are all to varying degrees cowardly and vile, and only concerned about how this will look.
Watched on live terrestrial TV (Film4) as it was broadcast - first time I've done that for a while.