Review of Small, Slow and Steady

Slow, gloomy and depressing (though not entirely in a bad way) Japanese film about a profoundly deaf young woman training to be a boxer in a downbeat boxing gym that has seen better days and is on the verge of closing - and the gym owner is near death's door himself.

Lots of stuff about her family relationships, and some exploration into her motivation that doesn't really explain anything. Some hard-to-watch boxing footage that really does show the pain and the exhaustion.

Watched on BBC iPlayer.

Review of Me Without You

This was a really good, quite moving though sometimes funny about the friendship between two girls (who in the course of the film become young women, then not-so-young women) that seemed to avoid all the coming of age cliches.  Sometimes made more enjoyable by the fact that they are almost the same age as me, so their time at university in Brighton almost overlaps with my time at university in Brighton - though the film doesn't actually use Brighton, or Sussex University or Brighton Poly (as it was then) for any of the Brighton-period filming. 

Some sex, some drugs (including a heroin scene that doesn't lead to addiction and disaster, just one more thing that they try out), lots of deceit and conflict.

This was the second film we watched on our BFI subscription (via Chromecast and the BFI app), and it was as good as the first.

Review of See How They Run

Enjoyable almost-spoof period-drama detective thriller, with a hapless drunk police inspector and his newly enlisted woman PC investigating the murder of a blacklisted American director who's been recruited to make a film of The Mousetrap, but is killed before he can start. Lots of plot twists, and lots of Mousetrap jokes. Acting and script a bit lame, but some cool cinematography, and jokes about cinematography. 

Watched on Channel 4 online, which kept buffering and dropping.

Review of 27 Dresses

 

Pretty awful cliched romcom, with the woman lead eventually ending up with the insipid male lead.

Review of Silent Roar

Weird surf-centred film about a young man/boy on the Isle of Lewis, whose dad has gone missing - he's a fisherman, he's probably drowned, and the boy is holding on to his boot which was washed up. He's a surfer, and he has hallucinations - first of mystical otherworldly surfers that no-one else can see, and then of a Black woman Jesus and his missing dad. There's some teen sex with a smouldering young girl at his school - she doesn't have sex with him, but she does make another boy who fancies her wank while she watches. 

There's religion, and anti-clericalism, and some miracles.

I quite enjoyed it, others who watched with me were not at all sure. Beautifully filmed though.

Watched via BBC iPlayer,

Review of 9 to 5

Watched this in honour of Dolly Parton, who has just died and was a real good one. But the film is just awful. The best bit is the title song, after which it goes rapidly downhill. It's supposed to be feminist, but the women characters are really stupid and are consistently outsmarted by their evil sexist male boss. Their attempts to expose his embezzlement (and thus prevent him sending them to prison for attempting to poison him) are hopeless. The jokes (sometimes at the expense of other women, like the boss's helper and snitch) are not at all funny. The resolution is through a deus ex machina (the appearance of the remote chairman of the board), not through any cleverness on the part of the three central characters. Why did the women actors agree to appear in this rubbish?

Watched at Jane's shop via laptop and what appeared to be a legitimate streaming vehicle, can't say which one.

Review of The Edge of Summer

The first film that we watched under our BFI subscription. Set in 1991 (so no-one has internet or mobile phones) in a depressed Cornish seaside town where the tin mine has closed down, the film centres on two young people - a girl of 11 (celebrates her 12th birthday during the film) and her mother who has recently separated from her father, and a boy of about the same age whose father has "gone away" and the boy hopes that he will return.

They form a friendship and explore the creepy derelict mine, where they have some experiences that are probably consensual hallucinations - the boy also repeatedly sees his absent father at a distance. It's clever and atmospheric, and says a lot about children with absent or departed parents. 

Review of All of Us Strangers

A beautiful, clever, touching film about love, death, loss, loneliness. Based on a book (the 1987 novel Strangers by Taichi Yamada), which is often a good sign. There was an earlier Japanese adaptation ( The Discarnates) which I would also like to see now.

The plot is about a lonely gay man living in a near-empty newly-built tower block in London, who is visiting his dead parents in his childhood home in a small town to the South of London. It's beautiful done, without much explanation of the mechanism but with plenty of mystery, and it's not entirely clear how it works for the dead parents either.

Watched on Channel 4 catch-up.

Review of The Idea of You

Silly but enjoyable romcom about a woman in her 40s who gets into a relationship with a boyband singer. No dramatic tension, every bit of conflict resolved almost as soon as it appears. Watched on BBC iPlayer or something.

Review of Crush

2020 High School teen gay romcom. Light and fluffy - somehow the fact that all the teen romances are lesbian makes the film sweeter and more innocent. Lots of talk about sex, but very little actual sex apart from some teen girl kissing, though the central character's mum does some great dirty talking.

Watched on Channel 4 online.

Review of They Came to a City

A very dated black and white fantasy film from 1944, adapted from a 1943 stage play, in which nine characters from then-contemporary England find themselves in modernist utopia. The nine are supposed to represent a cross-section of English class society - there's a shady businessman, a caricature aristocrat, a charwoman, a seaman, a waitress...and so on.

It's very stage-y - we won't actually see the utopia, just the faces of the characters talking about it from a weird castle overlooking the wonderful city. They go into it, and then return to the castle to talk about it. The upper class characters mainly hate it, and the working class ones mainly love it. From their descriptions it seems a very limited sort of utopia - clean houses and streets, gardens, and everyone happy in their jobs. 

The frame tale is a man and a woman, both in uniform, talking about what England is going to be like after the war, and a stranger (played by J B Priestley, who wrote the play and the film screenplay) comes to describe the story to them.

I couldn't help noticing the accents - which along with the clothes, were the class markers for the characters. The posh accents felt authentic; after all, there's plenty of actual footage of posh people talking from that period, and they more or less all sound like Queen Elizabeth. The working class accents felt wrong - a lot of substitution of "eh" sounds for "ah" sounds - did working class people actually speak like that in the 1940s, or is that just how posh-speaking actors thought they spoke?

Watched on YouTube via Chromecast.

Review of The Teachers' Lounge

Well crafted drama about an episode in a modern German secondary school, in which a young teacher gets caught up when someone (A colleague? A student?) is suspected of stealing from others. The film deals well with racism in the school and among the staff, and with the way that management processes can spiral into a nightmare with minimal bad intention.

Watched on BBC iPlayer.

Review of Corsage

Strange, slow film about the life of Elizabeth Empress of Austria-Hungary. The depiction of her life in the film appears really improbable, but a reading of her actual bio from Wikipedia is even weirder. The film doesn't seem to be very concerned to stick to the historical narrative, which seems odd in a biopic. For example [spoiler alert], it shows Elizabeth committing suicide by jumping into the sea, but the real Elizabeth died as a result of an unlikely assassination.  

It's just about possible that the film is an alternative account of the known facts (rather than a parallel account) because we are shown Elizabeth increasingly changing places with one of her ladies-in-waiting...so maybe she does commit suicide, and it's the lady-in-waiting who dies in the assassination many years later. Of course the Emperor Franz Josef would have had to been in on this, because although they don't spend that much time together they do occasionally have perfunctory sex, and he would surely have noticed.

Despite the slowness I enjoyed it, particularly the depictions of stultifying court life. Elizabeth doesn't seem to have much fun. I note in passing that although the rooms in the Imperial palaces are very grand, the corridors between them are shabby and cluttered with old furniture. Maybe that's how they were.

Review of Rental Family

A surprisingly enjoyable Japanese-American comedy about a big goofy American actor who finds himself working with an agency that supply actors into personal and domestic situations. Of course he becomes emotionally engaged with the people to whom his efforts are directed (not the "clients" as such because they are the ones who have hired him to deceive someone else) - an old and dementing man who was once a notable actor, and a young girl who needs a second parent to get into a private school.

Watched in the cinema on the Brittany Ferry ship to Santander!

Review of Bhaji on The Beach

We were after a feelgood film, but this wasn't it. I guess it just hasn't aged well - it's from 1993, and it features a group of women from an Asian women's centre being taken for a day's outing from the West Midlands to Blackpool. It mainly felt like a collection of not very interesting or engaging stereotypes.

Watched at Jane's house, streamed via Amazon Prime.

Review of Tar

Long, with a slow start, but after about half an hour it become absolutely gripping - even though it's about the world of high culture music, with which I have relatively little connection. Because it's also about corruption, and privilege, and exploitation and treachery, and how far it's possible for someone to fall. 

Just brilliant, watch it.

Watched on BBC iPlayer.

Review of Brides

A surprisingly light but clever and thoughtful film about two British Muslim girls who journey to Syria to join Daesh - obviously based on the Shamira Begum case. It explores their reasons for wanting to leave their families and go somewhere unknown and dangerous - unhappy family relationships, a rotten environment at school and teachers who really don't seem to notice what is going on. They're not fanatics or even very devout.

A lot of the action happens in Turkey, as they try to reach and then cross the border into Syria. There's tension but no real terror for most of the film - it almost feels like a caper movie. Most of the Turkish people are kind and helpful to them.

Watched as part of the Stroud Film Festival, with a discussion afterwards featuring women from the Bristol Somali Kitchen (one of the girls in the film is Somali).

Review of Sometimes, Always, Never

Strange, sad film about a man (Bill Nighy) whose son has disappeared, and how he and his other son pass their time searching for him, physically and online. The family used to play Scrabble - in fact, Bill Nighy's character is something of a Scrabble hustler, playing against strangers for money, and there's a lot about the game in the film.

From the descriptions I'd expected it to be funny, but it mainly wasn't - not bad, just not at all feelgood. The end is supposed to be a sort of redemption, but it didn't feel like it to me.

Watched via USB stick and informal distribution.

Review of Wild Rose

Lovely feelgood film that ended the Stroud Film Festival. I'd seen it before, but enjoyed it a lot more this time - maybe because I watched it in a cinema surrounded by lots of other people who were enjoying it, maybe because it followed a succession of good but grim films at the festival. Oh, and Jessie Buckley now carries all the wonderfulness of her other roles, which were not part of my experience last time round. 

Review of The Half of It

A nice, enjoyable American High School romcom, if that's not an oxymoron. It's a re-telling of Cyrano de Bergerac, only this time the clever writer hiding behind the goofy and inept would-be lover is a Chinese migrant girl, who is already writing her co-students' essays for them with the full knowledge of the class English teacher. And though she's writing the love letters and text messages for the goof, she herself has a lesbian crush on the object of his romantic love.

Anyway, it's a surprisingly nice film. 

Watched on someone else's laptop via HDMI cable to someone else's big TV - so I don't know how it came to be obtained.