Monday, April 04, 2016
Review of 'Frozen'
It was much, much better than I was expecting. The merchandise from the film is of course aimed at providing stuff to buy for the little-girl fans. But the film itself is quite dark, and touches on some quite heavy issues - the things that are never talked about in families, what it feels like to have an older sibling grow away from you, having powers (feelings) that you can't control. The love between sisters is a major theme and well handled. Even the silly snowman character, who is unaware that his enjoyment of warmth will bring about his own demise, brings up some stuff about mortality.
It's also worth noting that it comprehensively trashes the idea that you will know true love when you find it - and I was pleased to see that the worst baddie doesn't look or sound like a villain at all, at least for most of the film. We are as taken in as the characters in the film.
It's great the way it engages with Norse and Sami mythology, and the look of it is really great - though there are goofy comic characters, and the marshmallow monster was lame and not frightening, some of the others are well drawn and wouldn't look out of place in Studio Ghibli steampunk. I particularly liked the way that the ships looked, and the vision of frozen Oslo. The ice storm effects, and the way that the ships crash about towards the end, are very effective.
Interesting that some of those who watched it with us, and who had seen it several times before, felt the need to disparage it as soppy, even though they clearly wanted to watch it again.
The poster above is the soppiest version - there were others which looked darker, and which emphasise the relationship between the film and the Hans Christian Andersen story, 'The Snow Queen', on which it is based.