Blimey this was a remarkable book - an indication is that I really hated it for the first 80 pages but persevered with it. I hated it because it's written in a weird dialect/orthography with idiosyncratic spelling and grammar, which makes it very hard to read - often you have to read the words out loud to work out what they are.
It's a post-apocalyptic dystopian fantasy, set in Kent thousands of years after some sort of catastrophe, and part of the point is trying to understand what memory of that event has remained in culture. The civilisation has retained puppet shows as a means of communication and transmission of ideas, and a garbled version of the story of St Eustace from a commentary on a wall painting.
It made me think a lot, about imminent catastrophe but also about how much of our culture, and our technological civilisation is both inter-dependent and cumulative. The eponymous hero at one point learns how many years have passed since the disaster (several thousand) and is struck by how little his civilisation seems to have advanced compared to the knowledge that the ancients had before. Is it because they are just stupider, that their brains don't work so well, as a result of the disaster? He isn't sure, but it seems to me that the people described - even though they have some metal-working skills - for the most part are living like palaeolithic people. They are just inventing settled agriculture, although they elsewhere the author says they are an Iron Age civilisation. On the other hand they seem to have remained literate and can even read such documents as they have (the St Eustace story) from before the disaster.
Well, not everything has to make sense. But I am very glad I did carry on, and almost want to read it again.
Tuesday, September 10, 2019
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