Julianne Moore is a sad, lonely, middle-aged divorced woman. Things are not going too well for her, and the camera lingers on the things that are part of her sadness. But it's not entirely obvious why she's so miserable. She has a good job, which includes health care - this will turn out to be important when she gets a condition later in the film that is non-life-threatening but requires continuing treatment. She has a nice apartment, albeit with noisy neighbours and an annoying ugly cat that keeps finding its way in even though she doesn't like it. She has a good relationship with her grown-up children, and with her ex and his new wife. She goes out dancing with friends, and she picks up men and has good sex with them, though she is looking for a relationship.
For a while I thought the film was heading in to 'Looking for Mr Goodbar' territory. The man she meets is a little bit creepy and might turn out to be a stalker or violent...but he doesn't, he's just a bit inept and still involved with his ex and his daughters - in what actually seems to be quite a responsible way, though he's a bit insenstive to the impact this is having on Gloria.
Ultimately a long, boring, empty film, with lots of long shots that are supposed to be poignant but are actually almost mystifying. I'm not sure whether the things that I took to be signs of the emptiness of American life would be seen thus by an American...as I've noted before, the interior shots of what is supposed to denote luxury just look vile to me. At one point in the film Gloria and the bloke go on a make-up break to Las Vegas...why would anyone with a shred of sensibility go there?
Watched on Netflix via Chromecast.
Thursday, December 19, 2019
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