Great to see that Hollywood can sometimes turn out a really good film - a mystery thriller without stupid supernatural elements or a spirit-led redemption, but a really good plot and good acting.
Rachel is an alcoholic with an unreliable memory who spies on her ex-husband from the window of a train as she commutes past the Long Island suburb in which he, his new wife and their baby live. She spies on another neighbouring couple too, and creates a fantasy around what seems to be their perfect love. But she is moved to intervene in their lives, and this puts her inside a chain of events that forms the basis for the murder mystery plot.
One thing that I didn't like was that for the first three quarters of the film, the story is told - sometimes unreliably - through the eyes of the women characters. Then, in the last quarter, we get to see "what really happened", seen through the eyes of an omniscient camera-narrator. I find this unsatisfactory, and I think it was unnecessary.
But it's a good film, tense and well-crafted, and I can't say much more than that without ruining it for you.
Worth noting that although this is the Greater New York area everyone is white - no black people or latinos at all.
Watched on actual live TV, the first time for a while.
Sunday, June 28, 2020
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