She doesn't really explain why the first person narrator is called Piranesi - it's a name one of the other characters gives to him - but it actually does quite a lot of descriptive work, suggesting the vast, mysterious and gloomy spaces of that artist's work.
It's still a bit flabby at the beginning - it felt like it took too long to get going, but by about a third of the way in she absolutely had me.
Odd personal connection is that a lot of it involves people at Manchester University in the early 1980s, where I was studying. If the people in the novel had been real I probably would have known them.
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