Review of "Late Fame" by Arthur Schnitzler

Having seen the film, I wanted to read the book...this turned out not to be so easy. It's a tiny book even with forenotes and afternotes, and there's only an expensive hardcover version for sale in the UK. Eventually I found an epub. It turns out that it wasn't published in Schnitzler's lifetime - it was going to be published in a Vienna newspaper, as a short story, but it outgrew that format. Then there was talk of serialisation, but the editor was against because it would break up the flow, so it went back into the drawer.

Probably a good decision - this is one of those cases where the movie was better than the book. It's got more depth and emotion.

Review of Late Fame

Went to see this film because it was on at the Crouch End Art House and we were staying in Crouch End. I thought it was great, Ruth didn't like it at all.

It's about a man who had a brief moment as a poet in the 1970s, and then fell from attention and stopped writing poetry. Now he works in a postal sorting office where he's a regular guy. But one day a smartly dressed young man turns up on his doorstep - he's been "rediscovered" by a little literary circle of young writers. They love him, shower him with enthusiasm, and he starts to hang out with them (even though they are a bit privileged and pretentious, and not obviously very talented), and especially with the glamorous Asian-American femme fatale actor who is part of the circle.

They plan to stage a literary evening to celebrate his reappearance, along with works of their own, and it eventually does happen, and it's not too disastrous, but he comes to realise that everything about them is fake, and he goes back to his old life and his regular-guy bar buddies.

I found it really interesting and moving, and was pleased to see at the end that it was based on a short story by Arthur Schnitzler, who had written "Dream Story" on which "Eyes Wide Shut" was based.

Review of Our Friend

Emotional true-story drama about a young mum (two daughters) who is dying of cancer, and how she, her journalist partner and their somewhat gooseberry-like partner manage their tangled relationships amidst the inevitably of death. I was drawn in despite myself (I don't like films this sad) and thought that it handled a lot of the issues very well without being maudlin or religious about death.

Watched on Channel 4 online.

Review of Charlotte Gray

Better than usual war film based on the Sebastian Faulks book, in which Cate Blanchett plays the Scottish woman parachuted into France to work with the Resistance - though it really isn't clear what she's supposed to be doing, because the radio valves she is bringing are captured by the Germans almost as soon as she arrives, and after that she's mainly floundering. Still, it's a good film, tense and atmospheric without dwelling on the violence too much - there are a lot of guns but not that much shooting. And I could watch Cate Blanchett's weird but beautiful face all day.

Review of Tony

Sort of coming of age picture about the early life of Anthony Bourdain (celebrity chef and writer), which portrays him as a sleazeball, loser and slightly pathetic liar, who follows a girl on whom he has an utterly unrequited crush to Cape Cod and ends up working as a dishwasher in a fast-food restaurant presided over by implausible skilful and masterly chef (played by Antonio Banderas).

Some bits are really painful, including some bits that I think are supposed to be funny. In the end Tony, and the film, comes good, but there are some uncomfortable moments.

Watched at the Art House cinema in Crouch End.

Review of "Red Plenty" by Francis Spufford

Unusual book by one of my favourite writers. It's one of his earliest pieces of fiction, and it's obvious that it wasn't original planned as fiction at all. It's a sort of history of Soviet economic planning and policy, from the perspective of several different characters and across different time periods. Underlying it is the idea, now sort of preposterous, that the orderliness of a planned economy would allow the USSR to not only catch up with but then far outstrip the prosperity enjoyed in the capitalist west. The book works by showing us all the cynical grifters and dull bureaucrats who made the system work, but also the true believers who thought that with proper science (especially cybernetics) the planned economy really could deliver. One of these is Khrushchev himself, both in his period of power and after his fall; but there are lots of other characters, some of them real people and others composites of real people.

The first proper book that I've read on my new Kobo device, and slightly more enjoyable than the ailing Kindle, but not as pleasurable as a real paper book.

Review of Small, Slow and Steady

Slow, gloomy and depressing (though not entirely in a bad way) Japanese film about a profoundly deaf young woman training to be a boxer in a downbeat boxing gym that has seen better days and is on the verge of closing - and the gym owner is near death's door himself.

Lots of stuff about her family relationships, and some exploration into her motivation that doesn't really explain anything. Some hard-to-watch boxing footage that really does show the pain and the exhaustion.

Watched on BBC iPlayer.

Review of Me Without You

This was a really good, quite moving though sometimes funny about the friendship between two girls (who in the course of the film become young women, then not-so-young women) that seemed to avoid all the coming of age cliches.  Sometimes made more enjoyable by the fact that they are almost the same age as me, so their time at university in Brighton almost overlaps with my time at university in Brighton - though the film doesn't actually use Brighton, or Sussex University or Brighton Poly (as it was then) for any of the Brighton-period filming. 

Some sex, some drugs (including a heroin scene that doesn't lead to addiction and disaster, just one more thing that they try out), lots of deceit and conflict.

This was the second film we watched on our BFI subscription (via Chromecast and the BFI app), and it was as good as the first.

Review of See How They Run

Enjoyable almost-spoof period-drama detective thriller, with a hapless drunk police inspector and his newly enlisted woman PC investigating the murder of a blacklisted American director who's been recruited to make a film of The Mousetrap, but is killed before he can start. Lots of plot twists, and lots of Mousetrap jokes. Acting and script a bit lame, but some cool cinematography, and jokes about cinematography. 

Watched on Channel 4 online, which kept buffering and dropping.

Review of 27 Dresses

 

Pretty awful cliched romcom, with the woman lead eventually ending up with the insipid male lead.

Review of Silent Roar

Weird surf-centred film about a young man/boy on the Isle of Lewis, whose dad has gone missing - he's a fisherman, he's probably drowned, and the boy is holding on to his boot which was washed up. He's a surfer, and he has hallucinations - first of mystical otherworldly surfers that no-one else can see, and then of a Black woman Jesus and his missing dad. There's some teen sex with a smouldering young girl at his school - she doesn't have sex with him, but she does make another boy who fancies her wank while she watches. 

There's religion, and anti-clericalism, and some miracles.

I quite enjoyed it, others who watched with me were not at all sure. Beautifully filmed though.

Watched via BBC iPlayer,

Review of 9 to 5

Watched this in honour of Dolly Parton, who has just died and was a real good one. But the film is just awful. The best bit is the title song, after which it goes rapidly downhill. It's supposed to be feminist, but the women characters are really stupid and are consistently outsmarted by their evil sexist male boss. Their attempts to expose his embezzlement (and thus prevent him sending them to prison for attempting to poison him) are hopeless. The jokes (sometimes at the expense of other women, like the boss's helper and snitch) are not at all funny. The resolution is through a deus ex machina (the appearance of the remote chairman of the board), not through any cleverness on the part of the three central characters. Why did the women actors agree to appear in this rubbish?

Watched at Jane's shop via laptop and what appeared to be a legitimate streaming vehicle, can't say which one.

Review of The Edge of Summer

The first film that we watched under our BFI subscription. Set in 1991 (so no-one has internet or mobile phones) in a depressed Cornish seaside town where the tin mine has closed down, the film centres on two young people - a girl of 11 (celebrates her 12th birthday during the film) and her mother who has recently separated from her father, and a boy of about the same age whose father has "gone away" and the boy hopes that he will return.

They form a friendship and explore the creepy derelict mine, where they have some experiences that are probably consensual hallucinations - the boy also repeatedly sees his absent father at a distance. It's clever and atmospheric, and says a lot about children with absent or departed parents. 

Review of "Vineland" by Thomas Pynchon

Re-read this because I re-watched One Battle After Another, because that film is supposed to be inspired by this book. Well, I can see how, but I can't say I enjoyed this on the second reading (and I don't remember anything from the first reading, which isn't a good sign). It's not long but it's flabby and shapeless, with lots of surreal stuff (a community of "Thanatoids", who seem to be some sort of Zombie) and too many scenarios and characters, and a plot that is pretty much incomprehensible. By the end I was just turning the pages without really reading. Glad this isn't the only Pynchon I've read.

And yet, you can sort of see the contours of the film hidden beneath the layers of dross and muddle, which makes the achievement of that all the more remarkable.