Thursday, July 16, 2026
Review of "A Tree of Night and Other Stories" by Truman Capote
Review of "News from Nowhere" by William Morris.
The book was a response to Edward Bellamy's Looking Backward, which set out a much more modernist mechanised automated future, and I'm looking forward myself to reading that and seeing if it's closer to fully automated luxury communism...I guess I will have to read that too!
Thursday, July 09, 2026
Review of "The Land In Winter" by Andrew Miller
I've liked everything Andrew Miller has written so far - I think it's all been historical novels so far, so this was a bit different, but still very good.
Review of All of Us Strangers
The plot is about a lonely gay man living in a near-empty newly-built tower block in London, who is visiting his dead parents in his childhood home in a small town to the South of London. It's beautiful done, without much explanation of the mechanism but with plenty of mystery, and it's not entirely clear how it works for the dead parents either.
Watched on Channel 4 catch-up.
Review of "Lacunae and Laocoon: For The Triumph of Democracy over Oligarchy" by Molly Scott Cato
And it's sort of odd that it's so much about the way that the "rules based international order" is rigged, even as that order seems to be coming to an end and being replaced by something even worse.
There's not much reflection on what democracy means, or why it's a good thing...there's some stuff about the rule of law, also taken to be self evidently a good thing, without much reflection.
Review of The Idea of You
Friday, July 03, 2026
Review of "Clown Town" by Mick Herron
The plot is a thinly veiled version of Stakeknife, come back to haunt the new Labour Prime Minister, who had some hand in it back in the day.
A small mystery is why the right wing press like Herron so much, when his stories are so critical and subversive of their cherished institutions.
Tuesday, June 30, 2026
Review of Crush
Watched on Channel 4 online.
Sunday, June 28, 2026
Review of They Came to a City
It's very stage-y - we won't actually see the utopia, just the faces of the characters talking about it from a weird castle overlooking the wonderful city. They go into it, and then return to the castle to talk about it. The upper class characters mainly hate it, and the working class ones mainly love it. From their descriptions it seems a very limited sort of utopia - clean houses and streets, gardens, and everyone happy in their jobs.
The frame tale is a man and a woman, both in uniform, talking about what England is going to be like after the war, and a stranger (played by J B Priestley, who wrote the play and the film screenplay) comes to describe the story to them.
I couldn't help noticing the accents - which along with the clothes, were the class markers for the characters. The posh accents felt authentic; after all, there's plenty of actual footage of posh people talking from that period, and they more or less all sound like Queen Elizabeth. The working class accents felt wrong - a lot of substitution of "eh" sounds for "ah" sounds - did working class people actually speak like that in the 1940s, or is that just how posh-speaking actors thought they spoke?
Watched on YouTube via Chromecast.
Saturday, June 27, 2026
Review of "Hag-Seed" by Margaret Attwood
Review of "The Historical David: The Real Life of An Invented Hero" by Joel Baden
Thursday, June 25, 2026
Review of The Teachers' Lounge
Watched on BBC iPlayer.








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