Friday, March 15, 2024

Review of "97 Orchard: An Edible History of Five Immigrant Families in One New York Tenement" by Jane Ziegelman

A nice idea - a history of immigration to the US (and New York's Lower East Side in particular) told through the stories of five families who had all lived in one building at different times; made easier by the fact that the building in question has become the Tenement Museum. 

To my surprise I learned quite a lot, about the different waves of immigrants...I'd thought that I knew most of it, but I was wrong. In particular, I learned how much more assimilation-oriented the German Jews who came in the 1850s were - Jewish cookbooks with recipes for ham, pork and shellfish, and justifications for why oysters were kosher; and I learned about how poor and despised the second wave of Italian immigrants had been, and how they had done the dirtiest jobs and lived in the worst places, and still believed themselves to be culturally superior (or at least superior in terms of food) to the "native" US population.

And lots more too. I read this on kindle, but I think it's going to be bought as a present for various friends. 

Wednesday, March 13, 2024

Review of "In the Skin of a Lion" by Michael Ondaatje

Beautifully written historical novel about the immigrants who built Toronto, with good characters, a slightly confusing plot, but fantastic descriptions of buildings and places - well, it is about construction and infrastructure. Definitely worth a read.

Review of "Occult America: The Secret History of How Mysticism Shaped our Nation" by Mitch Horowitz

A nice, readable ramble through the undergrowth of the American mind, with lots of stuff about weird sects, cults, communities and religions. 

The author is more than a little sympathetic to the claims of alternative religious movements, and while he's critical of the worst excesses of some exploitative leaders I think he tries hard - perhaps too hard - to be fair to most of them.

There's some bonkers stuff towards the end that might be categorised as metaphysics, but it's mainly readable and enjoyable.

Review of "The Solutions are Already Here Strategies for Ecological Revolution from Below" by Peter Gelderloos

It seems a bit unfair for me to write a review of this, because I didn't read all of it - just the first and the last chapters. The first was a decent run through of a lot (though not everything) that's wrong with our current technical-economic system, though without much new, and in the manner of books already a bit out of date. 

The last bit, that was supposed to be a vision of how things could be better, seemed disappointing. I don't want a catalogue of techno-fixes that promise a continuation of our present way of life without the environmental costs, but this seemed to be mainly a repetition of "we won't want all that stuff once the miseries of capitalism have been abolished", and I didn't find it satisfying or convincing.

I want to like anarchist approaches to strategies for system change, and to the future organisation of society, but I rarely find much likeable. This wasn't an exception. 

Review of "Fight Club" by Chuck Palahniuk

A distillation of the toxic masculinity in the world, with all the violence and resentment that implies. I'm not entirely sure whether it's supposed to be a satirical critique of all that or a paean to it - in the manner of such things, it seems to want to have it both ways. I watched the film a long time ago, and so I remembered the images of that as I read the text - I couldn't imagine Marla except as Helena Bonham Carter, for example. 

I think that in some ways the film was more subtle, and more ambiguous about the apparent merging of the two main characters - was Tyler Durden always a version, or a personality disorder, of the first-person narrator? 

One major difference, at least as far as a remember the film, was the prominence of a castration theme - more than one character is threatened with castration in the book, though it doesn't seem to actually happen. All part of the ugh factor.

Review of "Trouble is my business" by Raymond Chandler

I'm a big fan of Chandler, and while I was reading this Ruth and I were listening to an audio version of "The Black-Eyed Blonde", which is a sort of sequel to The Long Goodbye. That felt a lot like a pastiche, but after reading a succession of Chandler short stories I am more aware of how formulaic Chandler's writing for the pulps was. 

His heroes are always mopping their sweaty necks, and they get hit over the head with monotonous regularity - leaving them with similar wounds on the back of their heads. And they drink all the time from similar sized bottles, and the women are all ciphers rather than proper characters. There are two flavours of cop, corrupt and repulsive or decent and career-blocked. Once or twice I'm pretty sure that the same descriptions popped up in more than story.

I was a bit surprised, though I shouldn't have been, by the casual racism. Some characters - not fully drawn ones - are "heebs", and when there are stereotypical black people they are referred to with a series of racist epithets that I hadn't even heard before - "shine" was one. This isn't to say that race is important in Chandler's fiction (as it is say in Sax Rohmer or John Buchan), but he's certainly not better than the time he lived in.

Tuesday, March 12, 2024

Review of The Noel Diary

Slightly soppy but enjoyable romantic drama, a bit self-knowing (characters say things like "If this was a rom-com"). A best-selling author goes to clear up the house of his recently-deceased mother from whom he has been estranged for years, and there meets a young woman searching for her own mother, who gave up for adoption and had been a nanny in the parents' house.

It was a nice 90 minutes, and I did have a lump in my throat from time to time.

Watched on Netflix, which seems to have finally got some half-decent films on board.

Review of Poor Things

Amazing film - every time I watch a Yorgos Lanthimos film I think "that's the weirdest film I am ever likely to see", and this one was no exception. Visually stunning, with some fabulous real sets in Hungary and elsewhere, and some CGI creations too. The scenes on a cruise ship were particularly attractive, the more so because we got on a dreary Brittany Ferries ship the following day, which was comfortable enough but might as well have been an airport lounge.

The plot was implausible (is the book different?) but that didn't really matter - it felt much like a fable or a dream. There have been some nasty comments online that it's a "male gaze" film, but it didn't feel like that to me (or to Ruth, thankfully). 

Some great acting, especially by Emma Stone, who manages to make the intellectual and physical development of her character from baby-brain in an adult body to fully grown ersatz human seem entirely believable.

We watched this at a cinema and you should too.

Review of The Monuments Men

Ruth stopped watching after ten minutes, but as a completist I had to see whether it got any better. It didn't. Lots of good actors, great sets and locations, and what looks like a big budget, totally wasted. Boring, bad dialogue, plot without suspense or interest. 

Watched via BBC iPlayer I think - I have mainly suppressed the memory.

Friday, February 09, 2024

Review of "Bleeding Edge" by Thomas Pynchon

I loved this, though a week after finishing it I'm not entirely able to express why. It's Pynchonesqe in its plotting, and its language, and there are some great characters - perhaps too many characters, because I did begin to feel like I was losing track.

It's very Jewish, and though there are some Israeli characters it's mainly a paean to New York diaspora Jewish culture, though I don't think Pynchon is Jewish. He's got it down really well, though, the language, the preoccupations. 

The plot takes place against the background of the dot.com crash, and the Twin Towers attack, and a complex financial fraud (the main character Maxine is a fraud investigator, working freelance and on her own time for most of the book), so it's sometimes hard to follow. I suspect I missed some of it, but it doesn't seem to have detracted from my enjoyment. It even made me want to visit New York again, which probably isn't going to happen.

Review of Dolly Parton: Here I am

Slightly dull but informative documentary about Dolly Parton and her career. Almost nothing about her private life, which she keeps private; she's been married to the same bloke for fifty years, after they met at a laundromat at her first day in Nashville. She's unashamed about her working-class rural roots, and connects with a variety of very different audiences - rednecks, gay men, drag queens...to some extent because she's careful not to say or do anything to offend any of them.

Which makes for a somewhat boring film. She's clever, talented (she's written some great songs), and opaque - a wise decision in an industry that eats people up and spits them out. But she's not great documentary material. We don't even learn anything about her friendships, outside of work relationships.

Watched on BBC iPlayer via Chromecast.

Review of Millie Lies Low

Sad New Zealand comedy about a young woman who's about to go to New York for a prestigious architecture internship, but panics on the plane and then sneaks back into her home town (Wellington) but doesn't want anyone to know. It's occasionally funny, but mainly painful - her relationships with her mum, her boyfriend and her best friend are challenged and exposed, and don't emerge well. There's some stuff about the nature of talent, and about the relentless pressure to post positive stuff on social media. 

The film was just over 90 minutes but felt longer, though it wasn't bad - just painful.

Well worth watching - we watched on Channel 4 via Chromecast.

Monday, February 05, 2024

Review of Anatomy of a Fall

Atmospheric tense French drama about an accidental (or is it?) death in an alpine chalet, where a key witness is a blind ten-year-old boy. Hard to say much more about it without spoiling, but it's really good, and manages to get to the end of the story without definitively resolving all of the unknowns. In that sense it rather reminded me of The Night of The Twelfth, another French drama (though that's more a police procedural), which also tells a story of death without resolving the question of who did it. Strangely both films are set in Grenoble. 

Watched via informal distribution - our new TV has a slot for USB drives, which makes that rather easier.

Wednesday, January 17, 2024

Review of Rustin

Enjoyable biopic about Bayard Rustin, black gay socialist pacifist who did most of the organising for the 1963 March on Washington, at which Martin Luther King spoke and made his "I have a dream" speech. This film is for all the people who do the organising but don't get to make the big speak. Rustin was clearly a wonderful leader who inspired people to give their all, despite the movement's disapproval of his sexuality. The film shows lots of behind the scenes manoeuvring in the Civil Rights movement, as well as giving a quite good potted history of the actual political processes and outcomes.

It (probably rightly) doesn't reveal that Rustin in his older years remained committed to workers' rights but became a neoconservative and was praised by Reagan after his death. 

Watched on Netflix.

Review of "Cole Porter" by William McBrien

I gave up on this.  I kept going to page 150, which I think is absolutely giving it a fair chance, but it was so boring that I could only read a few pages at a time without falling asleep. Cole Porter is an absolute genius, and I love his work - his songs and his lyrics. But his early life is so dull - doting mother, rich grandfather, nonentity dad who barely features in the story; good at school, athletic and popular, nothing goes wrong...and then he's gadding about with other rich Americans in Paris, and cruising backwards and forwards across the Atlantic. And I just could be bothered anymore.

Maybe it's just what reading biographies is like, and I should remember not to read them.

Tuesday, January 09, 2024

Review of "The Honourable Schoolboy" by John le Carre

Another good one from le Carre, though it took me a while to get into it. Whereas "The Spy Who Came in From the Cold" is taut and economical, this is a bit flabby, and some episodes seem to take forever, to no really obvious purpose. I won't attempt to summarise the plot, which is really convoluted and defies a quick description.

Eventually I was hooked, though, and engaged with most of the characters (though there were some that were a bit fuzzy for me, so that I had trouble remembering who they were). There's a lot of stuff about the nastier aspects of the Cold War, and no punches pulled about the bad things that "our side" did - in particular involvement in the opium trade. The parts set in Hong Kong, and Indochina, are really evocative - I can actually smell the places he describes.