It's contrived but not too bad. I was pleased that I understood a lot of the Spanish.
Watched on Netflix.
Ramblings on politics, technology, culture and poultry.
It's contrived but not too bad. I was pleased that I understood a lot of the Spanish.
Watched on Netflix.
Watched on Netflix.
Bits of it are horrible slapstick - lots of vomit as the ship hits a storm, for example - but the film carried me along.
Watched on BBC iPlayer.
There's a certain amount of exploration of the issues - nothing too clever or deep, but enough to be interesting. Lots of gloomy and seedy hotel interiors, and some glossy ones too. Nicole Kidman gets to wear some nice clothes too.
And there's a treatment of the overall nastiness of corporate politics, with several people trying to blackmail Kidman's character as they find out about the affair.
Watched at the Vue Cinema.
I had a strong sense of Dylan as a genius (even though we rarely see him actually doing any writing work, just performing or jamming with others) but also as a thoroughly selfish narcissist. It's hard to feel that the politics ever really meant anything to him except as a stepping stone to a career. On the other hand seeing this film inspired me to obtain and watch "I am a noise", the Joan Baez biopic, and that has footage of the two of them singing at the 1963 March on Washington, and it's hard not to believe that must have meant something, at least at the time.
We watched this at the cinema, and I'm glad that I did. Everyone else in the cinema was of a certain age and was a fan, and I really felt a connection with tehm.
Watched on BBC iPlayer, eventually, after several false starts.
Watched via informal distribution...at least we didn't pay money to see this.
It's gripping and well made, but not much stayed with me. Ruth on the other hand was overwhelmed by it...maybe I watch more war films than her.
On the other hand, I've just read the Wikipedia article about how collaborators were treated after the war ended, and I can't help thinking that would have made a much more interesting film.
Watched on Netflix.
Anyway I read it, and it was great. It's set in Albany around the beginning of the C20th, and it tells the story of a talented Irish-descended man who makes it...into the educated, cultured Protestant elite. He ascends from journalism on a local paper to play writing, and he marries into wealth and privilege too. There's lots about sex, and relations between rich and poor, Catholic and Protestants, men and women. The plot is quite complex...towards the end I lost it a bit, even though I was still enjoying it. It's quite a complex narrative structure too, with some switches of time-period and of narrative form...some "found" material, including fragments of the character's plays, reviews and newspaper articles, and so on.
Anyway great, and good to have rediscovered Kennedy.
It sounds creepy, but it's sort of beautiful. There's not a lot about trumpet playing, but it's enough of the story to be of interest to me as a trumpet aspirer.
I was expecting another music biopic, but it turned out to be a heart-rending documentary about Baez's really quite sad life - broken relationships with friends, family and lovers, and mental illness. This is clearly someone who talent (extending beyond music, her drawing is really good too) and success have not made at all happy. And this despite a genuine commitment to political struggle, that gave her a sense of purpose, but still didn't make up for the sadness that has haunted her since childhood.
I was struck also by the talent of her less well known sister, Mimi Farina, who lost the lover of her life at 21 and died of cancer at 56 - Mimi is responsible for the tune of "Bread and Roses", one of my favourites.
Watching the footage of her and Dylan singing at the March on Washington in 1963 it's hard not to be affected by the hope that's present in that huge multiracial crowd, and also hard not to feel that the hope was betrayed - look at America now.
A beautiful gem of a book...very short, barely even a novella, but I couldn't read it quickly because it was so beautiful. It's set in the International Space Station, more or less as it is now, though there's another moon mission in progress - the only thing in the book that makes it speculative fiction rather than just naturalistic fiction.
It describes the back stories and inner lives of the occupants - Russians, Americans, Japanese - but also their sensuous experiences of the space station, and the physical sensations of being in weightless, and the impact on time perception of living through so many dawns in each 24 hour period.
So well done, it's hard to believe that she hasn't been there.
And of course it's also about Earth, and what it looks like from the space station (humans largely invisible except at night), and there's the tiniest brush with climate turmoil - bigger, more unpredictable storms, changing seasons on the ground.
I hadn't previously heard of Ray Celestin, who doesn't seem to have written any other novels, but I will keep an eye out for him.
My Mum Sylvia Green died on the night of 2nd February 2025. This is what I said at her funeral.
Most of us knew Sylvia as an exemplar home-maker - a wife, mother, grandmother, and of course daughter. She fulfilled all of these roles to the max, and though she didn't really think men and boys needed to know how to cook, she did manage to teach me most of what I know about that.
And she was a transmitter of Jewish culture too, in language and home ritual and family stories, and of course food. Most of what is important to me about my Jewish identity is what came to me from my Mum.
But though she would have been the last to say so, she was also an intellectual. She loved books, and theatre and film. She would tell me the story of a film that she had seen, and it was like I'd seen it myself. She was a wonderful story-teller.
This was despite the fact that she'd had almost no formal education at all. Her school life wad disrupted by the war. She stopped school at nine years old when the family moved to Brighton to escape the Blitz, and she never really went back.
Her psyche was shaped by the war. She told me stories of the terror of nights spent in air raid shelters, of coming in the morning to find familiar buildings gone or in smoking ruins. Her rather was a registered alien, never naturalised as British. He had to report weekly to a police station. And he was never naturalised because of what happened to his own father, deported to Russia during WW1 for refusing to be conscripted in to the British army.
All of that shapes a person. My mum struggled for years with depression. Most of that struggle took place inside her. She never let it impact on how she behaved towards others. Mum was always in motion, always doing things for other people. Even when I visited her in the care home where she sat wheelchair bound, she was offering to go and make me a meal.
She was resilient and brave. When Louis was born in Sydney, she got on a plane, by herself, even though she had never spent a minute abroad without Dad before. She took a courier flight to Australia via Tokyo, and she told us how she'd left the hotel to go for a walk in a city where she spoke not one word of the language and could not read the street signs.
Although it was Dad who told the stories of his activist past, Mum had her involvement too. She was probably the only person who took part in the 35s Group of Jewish women protesting for the right of Soviet Jews to emigrate and also went to Greenham Common, with Ruth, Minnie, Sharon and Karin to protest against cruise missiles.
And I want everyone to know how much fun she was - not only when she was a lovely booba to our boys, but also when I was little, and we sued to schlep all over London to medical appointments, and we would make up stories about the people we saw in the tube - who was a spy, which one was going to a secret meeting, and so on.
And that's how I want to remember her, not as she was in her very last years, but how she had been for all the years before.
Post script - thinking of all the things we went through, like her teaching me to drive, and the time we had a front wheel tyre explode on the motorway en route to Manchester and did a 360 skid into the hard shoulder, and me walking round the lake at Valentines Park with her, trying to offer her undergraduate-grade psychotherapy...
Watched on Netflix, and it passed the time. I suspect that there might have been a better, more interesting film in there failing to get out.