Review of One Halal of a Story by Sam Dastryadi

My dear friend Steve Norden gave us this book on his final visit to the UK from Australia, so I want to find things about it to like. The early chapters, about his parents' lives as radicals and revolutionaries in Iran, are interesting and enjoyable, and so are some of the bits about growing up as a foreign-born kid and wanting to fit in...it's a familiar tale, but he does it nicely. 

But suddenly he emerges as a fully-formed Austalian Labor Party right-wing backroom fixer. There's no intervening story, no account of how he went from the awkward foreign kid to the machine-politics operator. He doesn't seem to have any particular political passions, other than a vague desire that things not be quite so unfair for 'the little people'. He doesn't like backwoods racists like Pauline Hanson, and he's against banks doing bad things. His apparent surprise that big corporates wield a lot of political power would be laughable were it not for the fact that so many right-wing Labor (and Labour) types have probably never given this a minutes thought.

It's also not clear what his achievements are that allow him to rise so rapidly, and so young, through the ranks of the NSW and national Labor Party. So I searched for him, and found that his political career had ended under something of a cloud, with the suspicion that he had been an agent of influence for China within Australian politics, or that there had been petitions calling for him to be charged with treason. To be scruplously fair he does mention this in the book, rather in the way one would a failure of etiquette. 

Probably to be read as a piece of evidence in political history rather than as a way of learning much about the man or the politics of the period.

Review of Only Good Things (Solo Cose Belle)

An Italian film with potential that's not realised. In a beautiful small town an old lady leaves the family mansion to a charity that fills it with a foster family who take in refugees, disabled people and an ex-criminal youth. The good-looking but mildly corrupt local mayor has other plans for the mansion, but his daughter accidentally gets involved with the foster family (while spray-painting nasty slogans on the mansion wall) and falls for the ex-criminal young man.

Some nice moments but it never really takes off, and everyone's a bit too nice, even the rascally mayor and his social-climbing wife.

Watched on Netflix.

Review of Love and Gelato

Not very interesting American YA romcom, in which a young nervous nerdy girl fulfills her mother's dying wish by making a trip to Rome, where she picks up the threads of her mother's life as a young woman - her fun-loving cousin-friend, her best bloke-buddy who she should have loved, the not-very-nice professor who was her lover, etc etc. And our young protagonist is wooed by two beautiful Italian young men, each eligible and ineligible in different ways.

Despite all this plot, and lovely settings, it's a bit dull.

Watched on Netflix.

Review of "The School Teacher of St Michel" by Sarah Steele

First, to declare an interest. Sarah Steele is a friend and fellow Red Band member, and I had a tiny bit of input into the book - Sarah asked me some questions about some of the Jewish stuff, and I was able to save her from a few errors and also provide some details for Jewish remembrance customs; and I am thanked very kindly in the afterword acknowledgements for this.

Second, to provide a context. I don't think that I am in the target market for this book, which is a historical wartime novel with more than a touch of chick-lit in it...there's too much detail on the outfits that the women wear, and though I like cooking and anything to do with food, the way that it's introduced in the book didn't work for me.

And perhaps because of this, and the split narrative structure with some of the action in the present and some in the past, it felt like it took too long to get going. But when it did I found myself drawn in, and caring about the characters and what happened to them, and utterly gripped by the last third of the book. I even had to choke back a few tears at the end.

Nerdily I spotted at least one error that I had missed the first time round - French Easter does not in any way involve rabbits, chocolate or otherwise; that's just an Anglo thing. And I wondered a little about the extent to which the Vichy regime in unoccupied France would have felt like a safe or welcoming destination for Jews smuggled from the north...Vichy had its own racial laws and managed to deport 75,000 Jews to the camps for extermination. 

But these are quibbles really. I enjoyed the book and I'm looking forward to Sarah's next one.

Review of "Darling Lili"

Quite a bad film, but sort of enjoyable nonetheless. It's a WW1 spy film, with Julie Andrews as a singer entertaining the British and French troops behind the lines and in the field hospitals, but also being a German spy. I want to say that I can't remember a film in which Julie Andrews plays a villain, but there isn't really any sense that she is a baddie in this...she is in a relationship with top flyer Major Larrabee and trying to wheedle secrets out of him to pass (over the phone, implausibly) to her German handler, but there isn't really any sense that this is villainous or that it puts soldiers' lives in jeopardy. 

Much of the time it has the feeling of a Carry On film, particularly with the two comic French army intelligence characters, who spend much of their time falling off roofs and into ponds. In fact almost all of the French characters are played for laughs, though the Germans are to be taken seriously - some of them are sinister, some are quite likeable, especially the handler, played by Jeremy Kemp. 

The plot is mainly terrible, the acting pretty awful, but I am a bit of a Julie Andrews fan, and the songs and singing scenes are enjoyable. Afterwards I read the Wikipedia article, and saw that this had a huge budget - and you can see where it went, with really big crowd scenes and some quite good dogfight footage - but made very little money, though it won one award (for a Henry Mancini song) and was nominated for others. Perhaps they should have spent some of the huge budget on the writers, though I know that's not very Hollywood.

Unusually watched as hard disc recording at my mother-in-law.

Review of 'This Is Your Mind on Plants' by Michael Pollan

I read Michael Pollan's book on psychedelics and really liked it - this is a sort of companion volume, though rather slighter. It only covers a few psychoactive plant derivatives really - opium, caffeine and mescaline. But I enjoyed all three chapters. The one on opium mainly focuses on some of the weirdness of drug policy, which in the US resulted in the authorities deciding to ban the growing of freely available poppies (though not the seeds, because they had a culinary use) and the possession of freely available dried poppies, popular with flower arrangers - but then not to tell anyone, for fear of encouraging the use of the poppies to make opium, which is apparently quite easy. 

The chapter on caffeine has some interesting stuff, especially the personal account of an attempt at abstinence and the chemistry of how caffeine works, but it feels a bit padded with historical stuff that I knew already and I think is widely written about.

The mescaline one was shorter, less padded, and took on some interesting issues about the relationship between drug reform advocates who want to 'decriminalize plants', and Native Americans who want to preserve their own privileged and restricted access to the mescaline-bearing cacti, which is culturally and spiritually significant to them (but as part of a relatively recent made-up religion). Again, a great read, and of course he writes brilliantly about his own mescaline and peyote experiences, while acknowledging the difficulty of writing about such things.

Review of "The History of The Countryside" by Oliver Rackham

A magnificent book - I learned something on each page, and often in each sentence. Although this is an academic text rather than a 'popular' book he writes really well, and the text is full of beautiful anecdotes - some historical, some personal (like the fact that his college has a drinking vessel probably made from the horn of an auroch). It's organised thematically rather than chronologically, so there are chapters on woodlands, grasslands, heaths, and so on. 

I probably need to read it again to collect my thoughts on the main themes...but I certainly got that not much of the woodland in the UK is anything to do with the wildwood that once covered more of the island/s, and that there are other types of landscape of historical value worth preserving as well as woodland - not all forestation is a good thing. I'm going to look to see if there are any videos of him speaking - I'd vote for a TV series based on this any day!

Review of The Hustle

This makes me aware of the risks involved in my decision to only review films that I finish watching. This is pretty bloody awful, and I was sure I'd seen it before, but I checked my reviews database and it seemed I hadn't. Well, that was because last time I gave it up half way through, which was still a good decision, but an unrecorded one. At least that won't happen again.

This is a con-game film, which can be good, but this one really isn't. What were Anne Hathaway and Rebel Wilson doing in this pile of shit? Making a lot of money, I suppose - oddly the film seems to have been a commercial success.

Watched on Netflix, and that's two hours I will never get back.

Review of The Decoy Bride

Surprisingly decent romcom set on a remote Scottish island, with David Tennant as the romantic lead, and some good jokes. The ending is visible from early on, but it's still nice nevertheless.

Watched on BBC iPlayer/

Review of 'The Good Lord Bird' by James McBride

I quite liked this - I started watching the TV series around the beginning of the first lockdown, and gave up - mainly because Ruth didn't like how violent it was. I might go back to it. It's interesting in treating John Brown as a bit of a nutter rather - or perhaps as well as - an abolitionist hero. The narrator is a young Black man (well, boy really) who is swept against his will into the guerrila war against slavery in Kansas that preceded the Civil War proper, and for various accidental reasons ends up passing as a girl for most of the book. Some of that it funny, though there are serious aspects to it, about the relationship between race and gender.

I'd never heard of James McBride before but I'll look out for more of him.

Review of The Photographer of Mauthausen

 

A not entirely satisfactory film about Spanish Republican Francisco Boix, who escaped the fall of Spain to France where he was interned, joined the French Foreign Legion and ended up in a Nazi concentration camp (Mauthausen) along with thousands of other Spanish Republicans - the Francoist regime cancelled their citizenship so that they were officially stateless.

I first heard about Boix during a Civil War walking tour of Barcelona given by Nick Lloyd (do it if you get a chance) and was very moved by the story, so I was keen to see the film even though I generally avoid Holocaust movies. This film reminded me why - it's very hard to get the tone right, and this had lots of touches that I didn't like...slushy music, thriller-type tropes, and a sometimes confusing plot. What was the trick by which Communists in the camp were switching already-dead prisoners for resistance fighters marked for execution? I didn't understand it from the film. The real Boix hid photographic evidence from the camp...in the film he just seems to shove it behind cupboards in the hope that it won't be found.

I note in passing that the character of Paul Ricken, one of the SS officers in the camp, is made more sympathetic than history suggests...

The moment in which the camp is liberated can't but be effective, and the Spanish prisoners produce a Republican flag to greet their liberators. This is all the more effective because we know that their hopes that the fight against Franco will be recognised as part of the greater anti-Fascist war are about to be dashed. Right at the end we see that many of the shots in the film are reconstructions of the actual photos.

Watched on Netflix via Chromecast and (Ruth's) smartphone.

Review of The Human Voice

A one-woman film, based on a Jean Cocteau play, "freely adapted" by Almodovar, and wonderful to watch. The one woman is Tilda Swinton, and I'd probably watch her read from the phone directory, if such things still existed. It's a short film (28 minutes), with a set representing an apartment that is created within what appears to be a big studio or warehouse. Menacing, suspensful, clever, beautiful.

Watched on BBC iPlayer.

Review of Crazy Rich Asians

Watched this on BBC iPlayer, and my finger was rarely far from my throat. A really nauseating film, affecting to satirise the lifestyle of the absurdly rich, but actually celebrating it. A sort of romance, with clever Chinese-American in a relationship with absurdly handsome Singaporean Nick, but not knowing that his family are super-rich...as are his friends, so that when he brings her to meet them all they go on shopping sprees and parties on private islands in private helicopters and specially chartered party container ships.

No sign at all that Singapore is a repressive one-party state, or that it's the third most unequal country in the world...there are only hideously rich people in the film (apart from the odd servant or street food hawker). 

Reading about the critical reception of the film, it seems like the only "controversy" about the racial casting - was the guy who played Nick the right or the wrong kind of Asian? Nothing at all about the planet-killing lifestyles that are held up for us all to aspire to. 

Review of "Smiley's People" by John Le Carre

 

So I read another Le Carre, and I liked that too - was taken by the way in which his characters  - or at least Smiley - are in the Cold War, but not entirely engaged to its ideology. They are playing a game, with sides, but they know that they are not entirely different from their adversaries. It does spend a lot of time in the world of emigre societies, and probably doesn't dwell enough on how nasty some of those groups were - former fascists and collaborators, not just freedom-loving nationalists. On the other hand, the locations and the physical details are great.

Review of "The Spy Who Came In From The Cold" by John Le Carre

I've missed out on John Le Carre. I read The Honourable Schoolboy years ago, and didn't like it - not the plot, the characters or the writing. And I thought, he's writing about the world he knows, and that means he's a bit like that - posh, a former spook, what is there to like?

But now I want some familiarity with spy novels, so I thought I'd give some of his earlier work a go, and I realise I have indeed been missing out.

This is so good - all the things I didn't like about the schoolboy, I love here. The characters, especially the central character, is great, conflicted and complex. It's told in the third person, but mainly from his POV, so it's artful in keeping up all the deceptions that make the plot work - Leamis doesn't tell us all that he knows about what is going on, and sometimes seems to not even tell himself. 

One of the things that really struck me was the close attention to physical detail, which really evokes the world of the 1960s, a world before computers and smartphones (before any mobile phones, of course). I can just about remember this world myself in all its grittiness...and realise that while it was much poorer in lots of ways, it was also more abundant in others.  For example, the Liz character has her own bedsit...now she'd have to share a house or flat with others, and perhaps a room too. And Leamis just bounces into a job in a library via the Labour Exchange, even though he has no job history at all.

I won't try to summarise the plot for fear of spoilers, but it's just great.

Review of The Good Liar

Sort of disappointing film about a nasty conman getting his come-uppance. Ian McKellen is the conman, and he's so nasty that it's impossible to feel any identification with him at all. Helen Mirren is his chosen victim, a recently bereaved woman that he meets through a dating site, and she plays it a bit better. 

I'd have thought that anything with those two in it would have to be good - why would they agreed to be in a turkey?  Also Russel Tovey and Jim Carter, usually in good things.

But this comes quite close to being one a turkey. The last quarter, where the twist occurs, feels rushed and not related to the rest of the film at all...is it the same in the book on which it's based?

Watched on Netflix.

Review of "Golden Hill" by Francis Spufford

Ruth introduced me to Francis Spufford - she read "Light Perpetual" first, and then I followed her and thought it was great. And then she did this one, and recommended it, and it's also great - even better than Light Perpetual. It's a historical novel, set in New York in the 1740s, and has something of the flavour of a pastiche C18th style, brilliantly done with some nods in the direction of historically accurate spelling and grammar, but not so much as to make it hard going. The plot is always engaging, the writing beautiful, and I'm really jealous of his ability to describe action as well as inner life. And the politics, about race and sexuality, are spot on.

It reminded me a bit of the Neal Stephenson's Baroque Cycle, which I loved, though there are no conscious anachronism here as there are there...and also of John Barth's The Sot-Weed Factor, which I haven't read for many years but also did something similar with period and style.

I note in passing that there is a description of a plot to burn the great houses of the city, which has been foiled and the perpetrators executed and tortured to death...and that this was a real historical episode, described in some detail in The Many Headed Hydra.

Review of 12 Angry Men

Somehow I'd never got round to seeing this, even though it's a classic...but our local film club was showing it. We couldn't go, so I obtained it and we watched it a few days later.

It's really good, with Henry Fonda as the liberal juror who gradually wins over the other members of a jury in a murder case, worrying away at the details to convince them, one by one, that there are after all grounds for reasonable doubt in what at first seemed like an open-and-shut case. All character actors, a claustrophobic theatre-like setting in one room, and lots of close-ups of the jurors' faces. For me Lee J Cobb as the last to be convinced steals the show.

Chromecast, VLC, informal distribution.

Review of "Babylon Berlin" by Voler Kutscher

Weimar-set police procedural/detective thriller...well, the central character is a detective in the Berlin police but he's a lone wolf a lot of the time, and the procedures are mainly there to be subverted. 

Nicely written/translated, and atomspheric, with some decent characters and setting descriptions. I must admit I got a bit confused about exactly who some of the characters were, especially the cops. Is that the German names, or the fact that the non-stereotype ones are not actually that differentiated?

Better than the TV series - no deliberate anachronism or lazy history inaccuracy. I could imagine reading more from what the cover establishes as a series.

Review of Nightmare Alley

Tense, atmospheric and stylish film in depression-era America, with sleazy circus folk, geeks (the original kind, a horrible circus act in which a man is kept in a cage and bites the heads off live chickens), mind-reading acts and fake spiritualists. Very dark, both in substance and appearance, but some great acting, fab cast, and painterly shots by director Guillermo de Torro. Amazing interiors too!

Watched via informal distribution.