Monday, November 15, 2021

Review of 'Danubia' by Simon Winder

I so loved this book, which felt like it had been written just for me. Lots of stuff about architecture, and music, and even regions and nationalities that I'd never heard of. It's by no means mainly about Jews, but there's lots of interesting stuff about them, including an important short passage that situates Zionism in the context of the competing nationalisms of the late C19th Habsburg empire...I knew Herzl was a Viennese Jew, but didn't realise that his family, like Freud's, were from Galicia. 

One thing he doesn't explain is why there are two regions called Galicia in Europe, which at one time were both Habsburg possessions. Turns out it's really just a coincidence

I wish I'd read this before I wrote The Girl in The Red Cape - if only because I would have stolen bits from the story of the  1882 Tiszaeszlár blood libel episode and put it in the book. But he's really good on the politics and the aesthetics of the Counter-Reformation too, and it would have been good to have known more about that.

I now want to read all his other books (already on order), and to listen to all the music he mentions, and to visit quite a few of the places in the book too. There were passages that I had to read out loud to Ruth because they were so beautifully written or so funny...how often do you say that about a work of popular history?

Sunday, November 14, 2021

Review of Love Hard

A mainly trivial but quite enjoyable (and for once actually quirky) romcom about internet dating and catfishing...which in this film turns out to be OK really because it ends in true love between the catfisher and his victim.

Most memorable for me for the alternate 'less rape-y' version of 'Baby it's cold outside' that the two not-yet-lovers sing as a duet.

Watched on Netflix.

Review of Sunset Boulevard


Another one of those films you think you've seen, but you haven't. 

And really good...about Hollywood, and faded fame and glamour, and inequality, and gender relations, and lots more. Gloria Swanson is brilliant as the faded onet-time star of the silent screen who never made the transition to talkies and a different kind of cinematic acting. She's completely past it, old and over the hill, because she's...fifty.

Eric Von Stroheim is particularly great as her devoted butler and chauffeur, who once had a career as a director but abandoned it to look after her. This is particularly poignant because it's almost his own life story - he had a career as a director but was forced to abandon it because absolutely no-one would work with him.

Watched via informal distribution, and laptop, Chromecast and VLC - working happily again.


Thursday, October 28, 2021

Review of 'Some Like It Hot'

 

Can't believe that I've never seen this, but I haven't.

It was more fun than I was expecting...the main joke is that the two main characters are dressed as women (because they are hiding out from prohibition-era mobsters in an all-woman Jazz band), and that no-one notices that they are men. It's done well and doesn't feel daft within the limits of the comedy genre, helped (as others have said) by the period setting. The jokes are mainly anti-sexist rather than sexist...the two men have difficulty walking in heels, and they can't believe how drafty it is wearing women's clothes.

And as soon as they adopt the female gender other men think that they are women and make passes at them.

I quite like the fact that George Raft is sending up his own gangster persona from his other films - another hood does his coin-tossing thing, and Raft's character says "where did you learn that cheap trick?".

And Marilyn Monroe is much more beautiful and sexy than I would have guessed, at the same time as not really being pretty. It's striking the way she absolutely shines on the screen, more than any other character...is it to do with lighting, or was she really that special? Also clear where Debbie Harry got her character tropes from...I sort of knew that, but much more striking seeing it for myself.


Obtained via informal distribution, and watched using VLC/renderer and Chromecast, which is now working well again.

Tuesday, October 26, 2021

Review of 'Falling for Figaro'

A poor rom-com, short on the rom and on the com. Millie is a fund manager but she dreams of being an opera singer...even though there is absolutely no sign of any other involvement in singing in her life. She's not in a choir or singing group, she doesn't sing with a band, nothing. It's just her dream. Which she then realises by going to a posh conservatoire where one of the tutors recommends her to a faded singing tutor in a remote part of Scotland. The tutor is mean to her - another one of those films, like Whiplash, where talent in developed through abuse and she blossoms into a reasonable successful singer, while developing a fragmentary and unconvincing romance with fellow-pupil Max. 

Another rubbish film on Netflix.

Monday, October 18, 2021

Review of 'The Incredible Jessica James'

Half way through watching this I realised that I'd started watching it before, and given up. I could see why, even though its heart is mainly in the right place...it's feminist, a little bit edgy, features a strong black woman as the lead...it's just a bit boring as a rom-com. Towards the end I was checking my phone quite often.

Watched on Netflix.

Review of "Frozen 2"

We had a little girl visiting us, and and a friend who has decided to watch only Disney films because everything else is so feel-bad, so we watched this. We watched Frozen four years ago (and I wrote a review at the time), and it was much better than I expected. I'm sorry that I can't say the same for this one, even though it was much more self-consciously inspired by good themes - eco-feminism, and anti-colonialism, for starters. 

But it felt much more of a mish-mash, with too many story lines, and too much going on. And I didn't think the music was so good either, though I rather liked the song the Sami-like people sing about half way through. Still visually impressive, with lots of good Sami-inspired graphics, and I suspect that the look of Arendelle is inspired by National Romantic architecture, which I've always liked.

Informal distribution, a USB stick and the new projector in the Springhill Common House.


Friday, October 08, 2021

Review of 'If Beale Street Could Talk'

Based on the James Baldwin novel, and really good, though hard to watch because it's so grim. The acting, the dialogue, the cinematography is all excellent, though I did miss occasional bits of speech.

The poster is very misleading, it's a story about racism, not true love. The love between the two main characters just makes the racism and oppression harder to bear. Impossible to watch without putting yourself in the shoes of the main characters - in my case, particularly the two fathers, knowing that the system of oppression is going to grind your children to powder, and that playing within the rules affords you no chance of coming through with either fortune or dignity intact.

Watched on BBC iPlayer.

Review of Cruella

This was more fun that I expected - I liked the music, the clothes, and wondering where the locations were (some of them weren't anywhere but had been created with CGI, bah!). The acting was sort of camp - especially Emma Thompson as the villain, but I didn't mind. And I'm sure the art directors must have a lot of fun...I was especially pleased to see the packet of Golden Wonder crisps with appropriate packaging. Because of the 1970s setting there was less product placement - no Apple laptops prominently in shot. 

I thought Emma Stone's english accent was perfectly good too.

Watched in the Middle Floor at Springhill, having been obtained by informal distribution. Loaded on to a USB stick, played on the new DVD player which has a USB slot, quality was really good.

Saturday, October 02, 2021

Review of New York 2140 by Kim Stanley Robinson

I enjoyed this more than I have his other books - it's not only optimistic and left-wing (don't often go together, do they?) like his other books but also has decent, interesting characters and a few enjoyable plots. The bad guys are a bit vague and not so fully described or defined, but the good characters are likeable and interesting (again, that is not often a common pairing).

And I like the descriptions of future NY - the super-Venice of drowned downtown, the superscrapers with farm floors, the vaporettos and the hydrofoil yachts of the rich, and blimps and sky-villages...beautiful and possible.

Oddly it made interested in the geography of New York, and even made me want to go there, which is not likely to happen.

Review of Palm Springs

Sort of a second-rate, updated version of Groundhog Day, with the time loop theme, but without any of the poignancy or thoughtfulness. This time it's a family wedding in a ghastly Florida resort, and it's not just the main character who has to repeat the day, but also a woman (the bride's wayward sister) who follows him into the cave that is somehow the source of the time loop - and also another man, a grumpy vindictive sort who chases and wounds/kills the main guy, but it doesn't have any consequences since everything is reset whenever any of them goes to sleep.

Just about watchable, and the occasional funny groundhog-esque gag (he knows what's going to happen next so can anticipate it), but not a great film or a great use of time.

Watched on Amazon Prime.


Thursday, September 23, 2021

Review of 'Eaten By Lions'

Nice British film about...well, quite a lot really. Two half brothers are brought up by their gran after their parents die in a freak ballooning accident in which they land in a safari park and are eaten by lions. One boy is brown and of Asian origin - his mum had a seaside fling but the dad of the other boy brings him up as his own - and the other brother is disabled. Then the gran dies, and an aunt wants to adopt the white brother but not the brown one, who goes off in search of his biological father. Lots more plot, and lots more issues.

Funny, sad, thoughtful, clever. More films like this please.

Watched on BBC iPlayer.

Friday, September 17, 2021

Review of The Mauritanian

A while ago I watched a documentary about the too-close relationship between Hollywood and the US military...I'd sort of suspected that the military cooperated with movie makers in exchange for help, but I hadn't appreciated the extent or the depth of the involvement...changing story lines even in science fiction films, for example. 

Well, I don't suppose the makers of this film got much cooperation. There are few punches pulled in the depiction of the US military's cruelty and caprice. We see torture and abuse of prisoners, much of it gratituitous, and some of it vile and porn-inspired. And it goes on way past any possible military or intelligence benefit, partly to cover arses and save higher-ups from embarassment. And the Obama administration did not behave better than its predecessors. 

It's a legal drama, with lots of stuff about release of documents, and privilege of counsel and so on, but it's well-made and well acted. I don't want to say more about just how well made because that'll spoil some of the film for anyone who reads it...but this is well worth watching.

Watched on Amazon Prime.

Tuesday, September 07, 2021

Review of Wild Bill

Gritty London-based crime and family drama, in which a rather deadbeat dad comes out of prison to find his two young sons living a precarious life in a tower-block council flat because their mum has abandoned them and moved to Spain with a new boyfriend. The dad is a hard man - the wild Bill of the title - but not much good for or at anything else, though he's not really a bad person. He tries to be a father to the boys, but they've been managing without him and are more than a little suspicious, except that they need him to pretend to be around or they'll be taken into care and split up.

There's a lot in this film, including the way that the authorities - even the ones that we think of as the good ones, like local authority social workers - manage the underclass. And the way that drug dealing looks like an attractive career option to kids with no other prospects. And how hard it is for ex-cons to move beyond their old circles when they come out.

It's from 2011, and the construction of the Olympic Village (where the older boy is working, illegally because he's too young) sets it at a precise moment in time. So does the mum going off to Spain, which couldn't happen post-Brexit. In every other respect it looks bang up to date...nothing else seems to make it dated, not the clothes or the phones.

Watched on Amazon Prime.

Review of "People Places Things"

Quite nice film about a NZ man living in NY, in the process of separating from his partner and mother of his cute twin daughters, and trying to be a good dad despite his catastrophically bad organisation and life skills. Some humour, some poignancy. Absolutely no connection to the play with a very similar name that was harrowing but much, much better.

Watched on Netflix

Friday, September 03, 2021

Review of Salting The Battlefield

A sort of spy/conspiracy thriller that ought to be good, but really isn't. Lots of good actors, directed by David Hare, but a half-assed script and a plot that doesn't really make much sense except in a very general conspiracy sort of way. Ralph Fiennes is the Blair-like PM who has connections to dodgy US financiers and torture networks, and Bill Nighy is a sort of rogue MI5/MI6 agent who is trying to bring him down...but it's not really clear why, or who is pulling the strings behind him. Lots of running across nice-looking locations in Europe, put together in ways that seem OK at the time but don't stand up to much reflection. Dubious politics, in that it's the security services and the press who eventually get rid of the PM, or rather allow him to resign to take a new and better job...there's no actual politics at all, not in Parliament, much less in the streets. 

Watched on Netflix.

Review of 'Victus' by Albert Sánchez Piñol

A surprisingly good novel about the 1714 siege of Barcelona. I set out to read this as background 'research' for the third book in my Ferenc Marlowe series, because it seemed like it would be easier reading than a history of the War of the Spanish Succession. In fact it turned out to be much better than I expected, and I also learned quite enough about the war itself. It starts out in what I think is the picaresque genre, with quite a bit of slapstick and knockabout humour, but gradually becomes more serious. I don't like war stories all that much, but this is well written and emotionally connecting, at the same time providing a lot of detail about the mechanics of the siege and the politics of C18th Catalonia.

Wednesday, August 25, 2021

Review of “Labour's Antisemitism Crisis: What the Left Got Wrong and How to Learn From It” by David Renton

The last few years have not been fun for a lot of Jewish socialists. No sooner had the Labour Party - which some of us had written off as a vehicle for political change - unexpectedly elected an actual socialist as its leader, than we were deluged with a flood of accusations that the man, who had a long history of involvement in anti-racist struggles, was actually racist towards Jews. 

A series of unfortunate events followed, and the responses to them became factionalised and also poisonous. It seemed almost impossible to assert that there was some truth on both sides of the many arguments - that the left generally, the left in the Labour Party, and the party itself really did have a problem with antisemitism and that at the same time there were unscrupulous people within and outside Labour who were “weaponising” this problem to attack the left in the party and Labour itself. And others who used the opportunity to attack anyone who’d ever tried to criticise Israel or Zionism.

David Renton gives a detailed account of many of the incidents and episodes...the Mear One mural, Naz Shah, Ken Livingstone’s Hitler outburst, Jackie Walker and the slave trade, IHRA definition, the Chakrabarti report, the EHRC investigation and its report...He’s a lawyer by profession, and this is reflected in the detail and also in the sometimes legalistic discussion; he refers to specific elements of anti-discrimination legislation and applies them to what actually occurred.. But despite this he remains resolute that no set of rules and procedures could have saved the day - what was needed, and still is, is a proper political understanding of antisemitism and its place in political culture.

The author is at great pains to be fair to the people he is writing about, and gives them the most sympathetic interpretation possible of what they said or meant to say. He does this with Jackie Walker, with Ken Livingstone, with Chris Williamson...and sometimes it feels like he’s just trying too hard, and that what he ought to be doing is blasting these people for wallowing in the fetid pools on the outskirts of political culture. He does the same with Luciana Berger, the JLM-supporting MP who I never had much time for, and who became a bitter enemy of the left.


He’s mainly kind to Jon Lansman, who emerges as something of a hero from the narrative, and he’s nicer to the JLM than I would have been, even though I know some people who are members and are actually quite decent. He’s even kind to the Chief Rabbi Ephraim Mirvis, treating his thoughts on Corbyn as if they were part of a considered and intellectually coherent commentary.


And he has a sensible, balanced approach to what Zionism means to Palestinians, and what it means to middle-of-the-road British Jews, which is not the same thing at all.


There are some things - inevitably - that don’t make it into the book. The various episodes involving Ken Loach, stretching all the way back to the ‘Perdition’ affair. The way that Corbyn himself, and his supporters, seemed unable to issue any condemnation of antisemitism without immediately adding “and all forms of racism”...a verbal tick which some have compared to the “All Lives Matter” racist response to Black Lives Matter. The often-repeated assertion that “our movement has a proud history” of antiracism, which is both untrue and irrelevant. 


But there is lots more about the present conjuncture...the failures of the Jewish Communal leader in the UK - unlike their American counterparts - to address the antisemitism of the right. The characteristics of the Corbyn moment, including the influx of people who’d never been involved in politics before and the left’s inability to absorb them. The political culture of the left, and the nastiness of online communication and social media in general. And the strangeness of the political culture of the broader ‘movement’, which includes a huge swathe of people who identify with some sort of anti-establishment feeling, manifest this by a willingness to believe in multiple and sometimes contradictory conspiracy theories about ‘the elite’, and are ripe for harvesting by the far right even if they don’t think of themselves as any kind of facist. Anyone who has found themselves in a conversation with an anti-vaxxer, or a believer in 5G conspiracies, will recognise this and welcome Renton’s sensible discussions about what this means for us.

I’ve never met David Renton, though I’ve enjoyed reading his blog posts. We’ve exchanged a few messages via Facebook, mainly me telling him that I’ve appreciated something he’s written. But I wish I’d known him during the period that his book covers; it might have made it easier to live through the misery.

Tuesday, August 24, 2021

Review of "Caliban and The Witch" by Sylvia Federici

A Stroud Radical Reading Group book. I'm embarrassed to say I'd never heard of Federici before, because she's great. A brilliant Marxist-feminist account of the transition from feudalism to capitalism, and the way that this shaped the different roles of men and women in the total world that capitalism created. One of the great things about it is the focus on the relationship between 'production' - making stuff in what capitalism considers productive industry - and 'reproduction' - all the things that have to go on so that there is labour power to be exploited in that industry...things like food preparation, cleaning, childcare and child-rearing, care for the weak and sick. She argues that under feudalism the distinction between production and reproduction was not so sharp, with much production taking place within the sphere of the household, just like reproduction.

I have to say that there are things that I didn't like so much about the book. I think that she's oddly weak on the actual events and progress of the witch hunts which are one of the main focuses of the book. I'm no expert, but a quick bit of reading about the witch trials in Germany (for example in Trier) suggests a very different picture to the one that she describes - men, and children, executed en masse for witchcraft, prominent intellectuals standing up against the trials (and being executed as a result), men of property falling victim to the witch hunters. It's not at all a matter of old women with knowledge of herbs living on the margins of village society. 

I also suspect that she is not entirely right on the question of whether capitalist forms did, or didn't, develop within the belly of feudalism. She sets herself against this argument, advanced by Braudel, and to make a political point by lots of others including Paul Mason, Kevin Carson, Michel Bauwens and so on...it's an argument that informs others about the possibility of transition to socialism. She emphasises the violence with which capitalism was imposed - enclosures, witch-hunts, and so on, whereas the others emphasise the extent to which capitalist relations emerged without an 'overthrow' of feudalism. And she is keener than orthodox Marxists on the possibility that there might have been another route out of feudalism, one based in the resistance of peasants and townsfolk to their masters. I think that others have also suggested this (Christopher Hill in The World Turned Upside Down, for example). I keep an open mind on this (for all the difference that it makes) but the possibility that it's only capitalism that can develop the forces of production sufficiently to provide a material basis for proper communism doesn't seem to me to be self-evidently wrong.

But it's still a great book, and I want to read more by her.

Monday, August 23, 2021

Review of "We''ll take Manhattan"

OK film about David Bailey and Jean Shrimpton going to New York on Vogue's budget and making themselves famous, despite the best efforts of the Vogue staffers sent to mind them. Really good soundtrack of early 1960s Jazz, nice art direction and clothes and interiors, less good script and everything else.

Weirdly this film triggered a very powerful dream about corporate life, in which - like the David Bailey character in the film - I stood up to corporate bullies and told them that the report that I had written was theirs, and they could do what they wanted with it, but if they removed or watered down my key conclusion they would have to take my name of it...braver than I was in real corporate life, of course. Even more weirdly, my bravery was undermined by a typical piece of dream anxiety, in that I was about to storm out when I realised I couldn't find my overcoat or remember where I'd put it. Everyone had these fabulous blue wool overcoats, and I had one too, only I couldn't remember which cloakroom I'd put it in. I still had the tag, but it didn't provide any clues. Huh...

Watched on Amazon Prime.